Sweden's nationally-televised WTF (musical) car crash moment of Saturday night during Melodifestivalen -Björn Ranelid feat. Sara Li., performing "Mirakel"
Proof that, at least in Sweden, some people love a (musical) car crash as long as they are not in it...
No, it's NOT your imagination.
I really HAVE been avoiding mentioning what's been going on thus far at this year's installment of Melodifestivalen, the iconic and nationally-televised song selection contest over five weeks that annually leads to Sweden's choice for the Eurovision Song Contest, this year, taking place in Azerbijan in a few months.
I could get into the reasons why I've NOT mentioned what's doing with familiar Hallandale Beach Blog favorites like Molly Sandén and Timoteij so far, but it's easier to say why I've broken that silence -Sweden's nationally-televised WTF (musical) car crash moment of Saturday night -Björn Ranelid feat. Sara Li.
As always, seeing is believing!
*All screen grabs on this page are from SVT by South Beach Hoosier
To say the least, the reviews of Björn Ranelid feat. Sara Li are in and they are so angry, scathing and unmerciless in their pummeling, that it's a wonder that many of my friends and folks I know, like Sofie and Pernilla -who keep coming back to the blog!- who watched the show LIVE Saturday night didn't, well, blow a gasket.
Or make like Elvis and shoot their TV set!
Though now that I think about it, maybe some of them did, since as of early Monday morning, I have NOT heard from some of them after Saturday night's deltävling 3 -Third heat-of this year's competition in Leksand, like I did after the two previous weeks the past two Saturday nights in Växjö and Göteborg, respectively.
I urge you to watch this video ASAP because this video will probably be yanked-off YouTube very soon by SVT for copyright reasons, but it's the only one I've seen that shows how truly horrendous the act was.
Oops! Too late.
They already hit it and removed it since I saw it a few hours ago.
Since that's the case, watch their performance here on SVT Play's website, which will have the entire show online for viewing until MIDNIGHT Tuesday morning Stockholm/Central European Time (CET), which is one hour ahead of GMT and six hours ahead of yours truly in Miami, in U.S. Eastern.
So the deadline for seeing this is 6 p.m. Eastern.
So the deadline for seeing this is 6 p.m. Eastern.
Get moving, because the clock is ticking!
Björn Ranelid feat. Sara Li appearance starts at 0:45:58 on the vid, ends at 0:50:05.
I watched the show in its entirety on Sunday afternoon, taking notes.
So, did I mention that people were angry?!!!!
Apparently, more than I thought, there were thousands of people watching TV in Sweden on Saturday night who thought they'd say a big f-ck you to the Swedish music industry, and do it by spending what amounts to about two bucks to text this "car crash" -the favorite metaphor being used among Swedish bloggers to describe this performance the first 36 hours afterward- and send them directly to the Finals in Stockholm on March 10th, at Globen.
Hmm-m... imagine if a participating country's national Eurovision song selection competition was hijacked by the country's usually-friendly folket in order to send the worst possible act to Baku, Azerbijan for the actual European competition...
Hmm-m... now that's a question so preposterous and diabolical that even Stieg Larsson never thought of it while toiling away in Gamla Stan thinking of things for Lisbeth Salander to get upset about!
Yes, it's sort like what the Florida Marlins did in November in announcing their new Miami Marlins logo and uniforms for their new stadium in Little Havana... which was, itself, a rainbow-colored WTF moment as far as most fans were concerned!
Yet typically, the condescending Marlins owners and management act like this finished product is what they always wanted, and don't much care what fans really think.
They're so in love with the idea of being "bold," of marketing themselves in Latin America in pastel colors, that they've lost sight of what the real fans who actually attend their games think.
For those of you reading this outside of South Florida, I honestly DON'T see anyone wearing this stuff around the area, that is, except for the sort of person at the shopping mall who does so clearly to bring attention to themselves.
Like the sort of woman who purchases a new expensive purse or accessory and takes it with them to Sunday brunch and tried to appear blase about it, even while craning her neck to see who notices it.
Yet typically, the condescending Marlins owners and management act like this finished product is what they always wanted, and don't much care what fans really think.
They're so in love with the idea of being "bold," of marketing themselves in Latin America in pastel colors, that they've lost sight of what the real fans who actually attend their games think.
For those of you reading this outside of South Florida, I honestly DON'T see anyone wearing this stuff around the area, that is, except for the sort of person at the shopping mall who does so clearly to bring attention to themselves.
Like the sort of woman who purchases a new expensive purse or accessory and takes it with them to Sunday brunch and tried to appear blase about it, even while craning her neck to see who notices it.
Miami Marlins New Logo and Uniform
Here's what some of the Usual Suspects, music-wise, have been saying so far.
Over at Scandipop,
...it certainly got people talking, as well as voting – “Björn Ranelid” and then “Ranelid” both became wordwide trending topics on twitter last night after his performance.
At the ESC Xtra, which LIVE blogged the show, when it was finally announced that Ranelid & Li had qualified to go directly to the Finals in Stockholm, along with Molly, they wrote simply,
I am lost for words Sweden. See ya next week…
At the more action-oriented Schlagerblog, which was not so crazy about Molly's song, either, they wrote
The big surprise for the Schlagerboys was how excited we got about Björn Ranelid feat. Sara Li. Who'd have thought a bonkers orange bloke wandering around the stage rambling on in Swedish while his granddaughter prances around for the chorus in a glittery frock would be so fab! The best bit was near the end where the key change should have been, when he clearly forgot his microphone was live and started mumbling the words to the chorus. Love it!
I'll have my updates on Molly Sandén and Timoteij and what else is going on in the competition later in the week before Saturday's competition from Malmö.
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