Turner Classic Movies video: All Eyes on Sharon Tate - (Original Promo Featurette) A behind the scenes featurette on the making of 13 which was released as Eye of the Devil (1967). http://youtu.be/Qf1NX9AQOEI
I've been wanting to post this Sharon Tate featurette video ever since I started the blog, even before Turner Classic Movies finally made the video available on their website as an embed, having previously videotaped it off of TCM many years ago and then subsequently dubbed it to a DVD thanks to a friend who had a VHS/DVR when they were still expensive.
But now, well, I don't have to do that, and the difference in quality is obvious.
(And no sooner do I say that than two of the videos I've embedded here keep showing the same thing, the trailer for Eye of the Devil, when I look at this in Draft preview.
Even though the embed code for each is different! I've run into this problem before with the TCM embeds and had to cancel some blog posts here on classic films because I couldn't show what was the meat of the post. Oh, well.)
These sorts of featurettes and film promos are one of the reasons that I've been such a devout TCM viewer ever since it started. My favorite is one that was done about the filming of The Dirty Dozen, like the first video, filmed in London in 1966 for MGM.
Turner Classic Movies video: The Dirty Dozen - (Original Promo Featurette), A look behind the scenes of the making of the World War II thriller, The Dirty Dozen (1967), starring Lee Marvin & Jim Brown.
http://www.tcm.com/mediaroom/video/30500/Dirty-Dozen-The-Original-Promo-Featurette-.html
The specific reasons I'm posting this today is two-fold.
First, it's a general reaction of sorts on my part from watching so much of the truly disturbing courtroom testimony that's been given at the trial of Anders Behring Breivik in Oslo, which I've been following closely and watching online since it started, though I haven't mentioned it here on the blog for reasons not worth getting into now.
Breivik was/is a person with a delusional personality who imagined himself destined for big things, believes in a political manifesto and was more than willing to kill innocent people to gain publicity for those political beliefs and to hasten the change that he imagined would naturally follow from it.
Just like Charles Manson.
This past week, I finally I saw a recent film directed by Sharon Tate's husband, Roman Polanski, that I'd never seen before, though I've seen pretty much everything else he's done that's been released in the U.S., including the Polish language films from the 1960's, like .
Knife in the Water .
It's 2010's The Ghost Writer starring Pierce Brosnan and Ewan MacGregor.
I've previously discussed the controversy surrounding him here on the blog, but my focus today is on Tate, his wife who was only 26 when she was intentionally murdered by the Charles Manson gang, along with their unborn child, and four others on her property, three years after this video was filmed.
When you watch this video at the top that was done to promote the upcoming David Hemmings, David Niven and Debrorah Kerr suspense film she was co-starring in, she just completely takes your breath away, and you see how her dynamic beauty just jumps right off the screen.
Turner Classic Movies video: Eye of the Devil - (Original Trailer)
A French nobleman deserts his wife because of an ancient family secret in Eye of the Devil (1966) starring David Niven and Deborah Kerr.
http://www.tcm.com/mediaroom/video/29013/Eye-of-the-Devil-Original-Trailer-.html
In my opinion, the only actress we have now with those sort of dynamic qualities is really Charlize Theron, and frankly, I'm not so crazy about her recent film choice selection or even her off-screen choices.
Theron is perplexing in that way, and while I can imagine some of the reasons why her film choices might've seemed appealing to her at the time, to be honest, since she won her Oscar for a film that very few people actually saw at the time -and which is, even now, largely forgotten and which draws blank looks from people when you ask which film she won the Oscar for- while there's no doubting that she's clearly got the talent chops and the beauty, what have we really been offered of late that film fans will recall fondly twenty years from now?
Why is she never in an ensemble film that is really well-done, memorable and popular with critics and audiences alike?
Why is is always one but not the others?
Talented directors we respect and admire ought to practically be banging down her door -or having her agent do that because of a role that she'd be perfect in- but I never hear from my friends and contacts in LA about good roles she turned down in order to be in something great.
It sort of makes me wonder what's going on, and whether there's some reason, mysterious or banal, that might better explain why Theron, as close as we have to a glamorous old-fashioned movie star as anyone, doesn't seem to be getting offered the sorts of scripts we'd all agree she ought to be seeing, for films that we'd like to see her in.
Who knows, maybe the directors I'm thinking of think she should work for less to be in quality ensemble productions, something that DOES happen frequently in Hollywood and esp. in London for period films, and she simply thinks that she'd be making a mistake to do that now.
On the other hand, isn't this sort of what has happened to Oscar-winner Gwyneth Paltrow, too?
They both should really be in the 'sweet spot' of their film careers, where they are in one good film after another, and yet... the best thing I've seen Charlize in has been that fabulous Dior ad for J'adore.
http://youtu.be/mXrWiJcmvBI
As for Gwyneth, is it a case of too much Goop-ing around?
Meanwhile, we wonder about what might've been for Sharon Tate.
The quality light-comedy films that she would've delighted us in, or the melodramas that made us cry, as she got better at her craft and more self-confident...
Take advantage of your opportunities while you have them...
Sharon Tate, Murdered Innocence - Part 4
http://youtu.be/NnrqxXnD-Mo
(And no sooner do I say that than two of the videos I've embedded here keep showing the same thing, the trailer for Eye of the Devil, when I look at this in Draft preview.
Even though the embed code for each is different! I've run into this problem before with the TCM embeds and had to cancel some blog posts here on classic films because I couldn't show what was the meat of the post. Oh, well.)
These sorts of featurettes and film promos are one of the reasons that I've been such a devout TCM viewer ever since it started. My favorite is one that was done about the filming of The Dirty Dozen, like the first video, filmed in London in 1966 for MGM.
Turner Classic Movies video: The Dirty Dozen - (Original Promo Featurette), A look behind the scenes of the making of the World War II thriller, The Dirty Dozen (1967), starring Lee Marvin & Jim Brown.
http://www.tcm.com/mediaroom/video/30500/Dirty-Dozen-The-Original-Promo-Featurette-.html
The specific reasons I'm posting this today is two-fold.
First, it's a general reaction of sorts on my part from watching so much of the truly disturbing courtroom testimony that's been given at the trial of Anders Behring Breivik in Oslo, which I've been following closely and watching online since it started, though I haven't mentioned it here on the blog for reasons not worth getting into now.
Breivik was/is a person with a delusional personality who imagined himself destined for big things, believes in a political manifesto and was more than willing to kill innocent people to gain publicity for those political beliefs and to hasten the change that he imagined would naturally follow from it.
Just like Charles Manson.
This past week, I finally I saw a recent film directed by Sharon Tate's husband, Roman Polanski, that I'd never seen before, though I've seen pretty much everything else he's done that's been released in the U.S., including the Polish language films from the 1960's, like .
Knife in the Water .
It's 2010's The Ghost Writer starring Pierce Brosnan and Ewan MacGregor.
I've previously discussed the controversy surrounding him here on the blog, but my focus today is on Tate, his wife who was only 26 when she was intentionally murdered by the Charles Manson gang, along with their unborn child, and four others on her property, three years after this video was filmed.
When you watch this video at the top that was done to promote the upcoming David Hemmings, David Niven and Debrorah Kerr suspense film she was co-starring in, she just completely takes your breath away, and you see how her dynamic beauty just jumps right off the screen.
Turner Classic Movies video: Eye of the Devil - (Original Trailer)
A French nobleman deserts his wife because of an ancient family secret in Eye of the Devil (1966) starring David Niven and Deborah Kerr.
http://www.tcm.com/mediaroom/video/29013/Eye-of-the-Devil-Original-Trailer-.html
In my opinion, the only actress we have now with those sort of dynamic qualities is really Charlize Theron, and frankly, I'm not so crazy about her recent film choice selection or even her off-screen choices.
Theron is perplexing in that way, and while I can imagine some of the reasons why her film choices might've seemed appealing to her at the time, to be honest, since she won her Oscar for a film that very few people actually saw at the time -and which is, even now, largely forgotten and which draws blank looks from people when you ask which film she won the Oscar for- while there's no doubting that she's clearly got the talent chops and the beauty, what have we really been offered of late that film fans will recall fondly twenty years from now?
Why is she never in an ensemble film that is really well-done, memorable and popular with critics and audiences alike?
Why is is always one but not the others?
Talented directors we respect and admire ought to practically be banging down her door -or having her agent do that because of a role that she'd be perfect in- but I never hear from my friends and contacts in LA about good roles she turned down in order to be in something great.
It sort of makes me wonder what's going on, and whether there's some reason, mysterious or banal, that might better explain why Theron, as close as we have to a glamorous old-fashioned movie star as anyone, doesn't seem to be getting offered the sorts of scripts we'd all agree she ought to be seeing, for films that we'd like to see her in.
Who knows, maybe the directors I'm thinking of think she should work for less to be in quality ensemble productions, something that DOES happen frequently in Hollywood and esp. in London for period films, and she simply thinks that she'd be making a mistake to do that now.
On the other hand, isn't this sort of what has happened to Oscar-winner Gwyneth Paltrow, too?
They both should really be in the 'sweet spot' of their film careers, where they are in one good film after another, and yet... the best thing I've seen Charlize in has been that fabulous Dior ad for J'adore.
http://youtu.be/mXrWiJcmvBI
As for Gwyneth, is it a case of too much Goop-ing around?
Meanwhile, we wonder about what might've been for Sharon Tate.
The quality light-comedy films that she would've delighted us in, or the melodramas that made us cry, as she got better at her craft and more self-confident...
Take advantage of your opportunities while you have them...
Sharon Tate, Murdered Innocence - Part 4
http://youtu.be/NnrqxXnD-Mo
