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Friday, October 9, 2015

Perspectives on American TV, 2015: A public shout-out for some nicely-observed insight from Stacia L. Brown @washingtonpost - How @RosewoodFOX is expanding representations of black men in network TV. She correctly notes how the new Fox-TV show starring @Morris_Chestnut has already shown "how rare it is to see two black men onscreen discussing something other than violence, racism, or their own mortality." Amen.

Perspectives on American TV, 2015: A public shout-out for some nicely-observed insight from Stacia L. Brown @washingtonpost - How @RosewoodFOX is expanding representations of black men in network TV. She correctly notes how the new Fox-TV show starring @Morris_Chestnut has already shown "how rare it is to see two black men onscreen discussing something other than violence, racism, or their own mortality." Amen.

I've written the following post in reverse-chron order, with oldest on top, in an attempt to be more logical than usual.
















For me, the highlight from Brown's column was this line: 
"The subtlest moments — like Rosie, Dante, and those flowers — punctuate how rare it is to see two black men onscreen discussing something other than violence, racism, or their own mortality."

Exactly!

I've watched all three Rosewood episodes so far, and partly because it's set here in South Florida -#SoFLand partly because I also think it has a good premise for a series and a nice core of actors around star Morris Chestnutit's definitely starting to grow on me.
Especially as it finally stops trying to explain who every character is and can actually breathe a little and let the plots develop however they will.

Not that it's ever going to be M.A.S.H., of course, or even aspires to be, but most people now forget how really crummy some of their early M.A.S.H. episodes were when the writers and editors kept hammering home who the various characters were long past the point where we got it, esp. Klinger
Radar and Frank Burns.

In retrospect, some of those early M.A.S.H. episodes often seem like the show's writers were intentionally bullying Larry Linville's Burns character just to see what sort of reaction it might provoke in either him or the show's audience. 
People loved seeing pranks performed on poor Frank Burns, but serial cruelty is another thing altogether. 

It's always especially noticeable in those episodes composed largely of clips.
You almost wonder what the writers were thinking.

Most TV viewers nowadays forget that, for a while at least, like the Mary Tyler Moore Show,
M.A.S.H. was forced by CBS network execs to use a laugh track, which was cringe-worthy, even though it was performed without a studio audience.
As we know, as the two shows' dramatic success grew expondentially on Saturday nights, that foolish crutch was eventually dispensed with, even if it remained on so many other middling network TV shows well into the 1980's.

The really odd thing is that I was thinking the same exact things last night watching the newest episode of Rosewood as what Washington Post reporter Stacia L. Brown writes about. 
Weird. :-)

Like Brown,  I also hope that they give the show a chance to properly develop and find its way.
It's always a good thing to have fully-realized characters on network TV, especially if they can be set against an area of the country that is -quite correctly I'm sorry to say- often regarded as the height of superficiality, where physical looks always-but-always trumps brain power every time.
(As I know so well from growing-up in sunny sand, surf and bikini-clad South Florida!)
How ironic would that be?

And if it can be a character that looks, acts and thinks like series star Morris Chestnut's,  one that's doesn't adhere to most Hollywood's showrunners' pre-conceived paint-by-numbers notions of what the show has to do, as opposed to what it can do, so much the better for everyone concerned, not least, the poor TV audience who desperately prefers to see more accurate depictions of complex people's lives on the tube. And lives different from their own, with their own separate struggles.


But then a sophisticated TV audience that wants more also has to let the networks know they want that, not more of the same old thing, or variations on a TV theme from 25 years before.
And so it is here with Fox-TV.
People have to use their voices.
So far, so good!















Since I sent out an email with much of the above Thursday afternoon to my corps of well-informed friends and Followers(!)  across the country, have been greatly heartened by the number who say that they not only like and watch the show, but also agree with points that Stacia L. Brown and I raise.
:-)

Dave

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#HOLLYWOODFL based photographer and entrepreneur Esther Chuang with Hollywood Mayor-elect Josh Levy

Thumbs up! What a night we had! #HOLLYWOODFL based photographer and entrepreneur Esther Chuang with a very elated Hollywood Mayor-elect Josh Levy at his Victory Party, held at Leo Anato's Atelier3/AT3 on Harrison Street & S. 19th Avenue, Hollywood. AT3's great environment and the amazing variety of food prepared by chef Kevin Dreifuss, former owner/chef of ENDS MEAT restaurant, was SUPERB! November 8, 2016

Esther Chuang, Morro Dois Irmãos, Rio de Janeiro, Brazil, 2015

Above, perhaps my most-favorite photo ever of Esther, which is really saying something considering the THOUSANDS that I've actually seen of her, from all over the world. But despite the fact that you can't actually see it here, trust me, her amazing smile and inner and external beauty are there. This photo is an even more amazing achievement when you know the backstory of what it took for Esther to get to the top of the mountain, since it's NOT for the faint of heart. Next time you see her, ask her about that! Morro Dois Irmãos, Rio de Janeiro, Brazil, on her birthday, July 10, 2015. That's the Christ The Redeemer statue way out in the horizon on the top of another mountain, to the left of her head. �� In case you forgot what the Christ the Redeemer statue looks like, up close, here's another Brazilian beauty to connect-the-dots for you: Gisele Bündchen, aka @Gisele.

Abençoado por Deus e bonito por natureza!✨ ������

A post shared by Gisele Bündchen (@gisele) on

North Miami Beach High school alumni

North Miami Beach Senior High School, the Home of the Chargers

North Miami Beach Senior High School, the Home of the Chargers
Before I was a Hoosier, I was an NMB Charger, Class of 1979.

In the Heart of a Great Country, Beats the Soul of Hoosier Nation

In the Heart of a Great Country, Beats the Soul of Hoosier Nation
"In the Heart of a Great Country, Beats the Soul of Hoosier Nation." -South Beach Hoosier, 2007.