Showing posts with label Kenneth Turan. Show all posts
Showing posts with label Kenneth Turan. Show all posts

Friday, July 8, 2022

Personal observations on the passing of American film and TV actor James Caan, the face and strong irrepressible personality featured in some of the most popular and beloved films of all time.


Personal observations on the passing of American film and TV actor James Caan, the face and strong irrepressible personality featured in some of the most popular and beloved films of all time.


https://twitter.com/James_Caan/status/1545090774517174272





James Caan, ‘The Godfather’ and ‘Misery’ Star, Dies at 82






James Caan, actor who played Sonny Corleone in 'The Godfather,' dies at 82

https://t.co/DEqc1NF2zM


Before James Caan appeared as suave and irrepressible Sonny Corleone in the iconic Francis Ford Coppola film "The Godfather," with his famous slow-motion demise at the Jones Beach Causeway toll booth in Long Island, New York, murdered by assassins of the Barzini family, there was his winning and powerful portrayal in Brian's Song of the late Chicago Bears running back Brian Piccolo, #41, who had gone to high school in Fort Lauderdale at what is now St. Thomas Aquinas HS, and his very close and enduring friendship with star teammate and future pro Football Hall of Famer Gale Sayers, #40.

The Sunday before the film premiered on a Tuesday night as part of ABC-TV's powerful early 1970's ratings juggernaut "Movie of the Week," the film was the focus of a lot of favorable critical attention, not just in TV Guide, but also in every single major newspaper in the country.

That fact rang true when I saw glowing stories about the film in both the Miami Herald and the NY Post and NY Times, all of which I always bought on Sundays as a kid. No, I really did.

Every Sunday morning I'd set out from our home in North Miami Beach a few blocks south of the then- 163rd Street Shopping Center, and head east to the Newstand out-of-town newspapers and magazine store located on 163rd Street and 17th Avenue, pick up a Herald, a Post and a NY Times, then keep walking down 163rd Steet to just just past the nice Burger King and the Sub Center on NE 19th Avenue to the Bagel Fare, right next to then-Congressman William Lehman's district office. Where I'd get a bakers dozen of hot, fresh bagels for my family and start eating them out of the big brown paper bag on my way home, with a can of Dr. Pepper or Coca-Cola to cool them off in my mouth. It was heaven!

Having a well-regarded bagel and deli restaurant right next door was a tremendous benefit for a Congressman in a congressional district, the then FL-13, that was so heavily Jewish, back in the days before Turnberry Island and Williams Island and Aventura or Dr. Krop High School existed, and the focus of the district was NMB between the Cloverleaf Expressway and Haulover Beach.

In 1971, at age 10, while I went to every single Miami Dolphins home game at the Orange Bowl, I didn't have season tickets yet -that started in the Perfect 17-0 season in 1972- so I sometimes went to games by myself via the Orange Bowl Expresss buses that transported Dolphins fans from large shopping centers and sites all over Dade and Broward County down 1-95 or 836 to the stadium on Calle Ocho. In my case, from the gigantic Moderage Furniture parking lot west of the Cloverleaf Expressway, via my parents. 

The next day, having read all the stories about the film that I could and having discussed them thoroughly with my friends at Fulford Elementary, who, like me had already declared to everyone in the their family in advance that they WOULD be watching the film.

After school I started preparing for that night's Dolphins Monday Night Football home game against the Chicago Bears team that Brian Piccolo had been a part of just two years before. There was a tremendous effort by ABC to promote the film that weekend and of course during the ballgame, as the film premiered the following night.

Well, it's an understatement to say that that film instantly made James Caan an icon to millions of kids across America, people who would remain fans of his for life as they grew older. A fact that he was always remarking on, because it was one of the never-ending realities of his personal and professional life.

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Above, Brian's Song 1971 film trailer for ABC-TV's 'Movie of the Week" starring James Caan, Billy Dee Williams, Jack Warden, and Bernie Casey. Original airdate: October 30, 1971

This film still packs a wallop!


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But you turned down a chance to star in “Apocalypse Now.” Why?

My wife was pregnant with my dream child Scott. Francis called me and said he wanted my to play Willard. He said he’d get me a house in Manila with a maid and fly me to location in the jungle every day on a helicopter. I said, “Francis there’s two things I hate — heights and tsetse flies, so let’s not do this.” I couldn’t be away six months while my wife was pregnant. But I helped write a scene. The letter that Martin Sheen’s character writes to his wife, I helped with that. You didn’t care if the character lived or died without that. You had to make the audience care about Willard. https://variety.com/2022/film/news/godfather-robert-duvall-james-caan-talia-shire-making-of-1235211379/



Billy Dee Williams: Team Mates and friends till the end. RIP Jimmy 💔 #jamescaan



Tuesday, September 7, 2021

Jean-Paul Belmondo, R.I.P. Without Jean-Paul Belmondo, The French New Wave film revolution -la Nouvelle Vague- never reaches so far around the globe. Never touches every single part of 1960's Popular Culture. In Belmondo, an actor with enormous magnetism, savoir-faire, and a particularly Gallic strand of studied nonchalance, he becomes the de facto New Wave Ambassador, and the very face of what was (and was not) cool, dark, and even slightly threatening.

photo via The British Film Institute

Without Jean-Paul Belmondo, The French New Wave film revolution -la Nouvelle Vague- never reaches so far around the globe. Never touches every single part of 1960's Popular Culture. In Belmondo, an actor with enormous magnetism, savoir-faire, and a particularly Gallic strand of studied nonchalance, he becomes the de facto New Wave Ambassador, and the very face of what was (and was not) cool, dark, and even slightly threatening. 

And always, in every film, he is eminently watchable! 

Belmondo becomes that most magical of all entertainers: he is #sublime.

Belmondo becomes both his very own brand, as well as representing a certain style of dramatic acting, AND in the process, becomes a representation of a certain way of thinking, living, and of film-making. 

And he is always, for both good and bad, France personified.

A cool France that has ideas and feelings uniquely its own, not American or British.


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It wasn't until I was living and working in Washington, #DC in the 1990's and could actually see great prints of French 🇫🇷 and Italian 🇮🇹 #NewWave films at the National Gallery of Art main building on weekends when I wasn't up in Baltimore for an Orioles ballgame or at home or sports bar watching a football or basketball game.

The NGA was one of my favorite social haunts, and there, I could watch and absorb films I'd never been able to see in a theatre while growing up in #SoFL.

It was in those moments when one of Belmondo's films was being shown in a packed theatre that all the dozens of New Wave articles and books I'd read over the years while in Bloomington, Chicago, Evanston and DC -and learning French!- all made sense when #Belmondo entered a scene.

Then, all of the dots were connected! 😊

British Film Institute: https://www.bfi.org.uk/
Cahiers du cinéma: https://www.cahiersducinema.com/

A tribute will be paid to Belmondo in the next issue of Cahiers du cinema magazine.


Sans Jean-Paul Belmondo, la révolution cinématographique française de la Nouvelle Vague -la Nouvelle Vague- n'atteindrait jamais aussi loin le globe. Ne touche jamais à chaque partie de la culture populaire des années 1960. Dans Belmondo, acteur au magnétisme énorme, au savoir-faire et au brin particulièrement gaulois d'une nonchalance étudiée, il devient de facto l'ambassadeur de la Nouvelle Vague, et le visage même de ce qui était (et n'était pas) cool, sombre, et même légèrement menaçant. Et toujours, dans chaque film, il est éminemment regardable !

Belmondo devient le plus magique de tous les artistes : il est #sublime.

Belmondo devient à la fois sa propre marque, tout en représentant un certain style de jeu dramatique, ET dans le processus, devient une représentation d'une certaine façon de penser, de vivre et de faire des films.

Et il est toujours, en bien comme en mal, la France incarnée.

Une France cool qui a des idées et des sentiments qui lui sont propres, pas américains ou britanniques.

Saturday, September 7, 2019

Some quick thoughts on always honest and forthright Linda Ronstadt and the new documentary film about her life as a female rock 'n' roll star, and her recent life as a non-singer as a result of Parkinson’s disease, "LindaRonstadt: The Sound of My Voice" - SEE IT!


Linda Ronstadt, Rolling Stone #276, 
Oct. 19, 1978, 
photo by Francesco Scavullo




Los Angles Times
Linda Ronstadt on the sound of her life
By Amy Kaufman, Staff Writer
September 5, 2019 7 AM
https://www.latimes.com/entertainment-arts/movies/story/2019-09-04/linda-ronstadt-documentary-the-sound-of-her-life





This wonderful article by the always-amazing Amy Kaufman, one of my favorite writers, naturally caused me to recall what I had shared last year with my friend and dynamo singer Cecilia "Cissi" Nilsson, formerly of Gävle but now living, working and recording in beautiful Stockholm.

For the record, there are about as many Cecilia Nilsson's in Sweden as there are David Smith's in the U.S., so, like me, she always has to do something interesting on Social Media name-wise to stand out a bit, like on her Instagram account, where she adds an extra S.
You have no idea how important and prominent the letter "S" is in Sweden.

And as always, when Cissi, our super-talented songbird friend in Stockholm, gives you THAT look, be on your toes! Something amazing is about to happen. Like some new songs... 
More about Cissi below the photo!







A post shared by @ cissinilssonn on 


Here's the commercial featuring Cissi singing "Silhouettes in Slow Motion," her popular 2016 song, that Volvo featured in its 2017 ads promoting some amazing features in their new car models in Sweden -and elsewhere. Obviously, promotion-wise, that was a real coup for Cissi. I mean it's VOLVO!

 Screengrab from the commercial showing Cissi's song being played
At the time, 2017, the Volvo ad also gave me LOTS of good ideas for places to see and visit in and around Skåne while touring Sweden in a Volvo with the adorable and ever-curious EC. You regular readers will recall that because of some discouraging  things that were going on early last year in Sweden -CRIME! CRIME CRIME!- and more importantly to me, because, suddenly, EC was no longer in the picture, I reluctantly canceled the one thing that I'd been looking forward to since late Summer of 2017: the idea of an amazing two-week trip to beautiful Stockholm and a driving tour of Sweden, bringing along my favorite person-in-the-whole-world, my favorite world-traveler, EC. Plus, a visit to Iceland on the way back to Fort Lauderdale when snow was still falling in Sweden and Iceland and we could get in some quality aurora-watching.
I had wanted to give her a chance to fall in love with the Sweden that I love so very much, too. And nothing says Sweden like winter-time Sweden. In case you need a reminder about what led to that not-so-happy decision to cancel my trip, read this:
https://hallandalebeachblog.blogspot.com/2018/01/bad-news-on-sweden-front-how-that-very.html





So back to La Ronstadt...





Linda Ronstadt - Silver Threads And Golden Needles (1976) Offenbach, Germany



Los Angeles Times
Review: ‘Linda Ronstadt: The Sound of My Voice’ stirs the soul
By Kenneth Turan, Film Critic
September 5, 2019 2:13 PM
https://www.latimes.com/entertainment-arts/movies/story/2019-09-05/linda-ronstadt-the-sound-of-my-voice-review-documentary




Dave 
David B. Smith